lundi 2 mai 2011

Rachel Blau Duplessis, Bill Bissett et Adeena Karasick le 7 juin, et Nicolas Carras et Truong Tran le 22 juin

Coming Up At IVY: More on both of these events in mid-May!

IVY WRITERS PARIS vous invitent à nos 2 dernières lectures pour la saison automne 2010-printemps 2011!

le 7 juin 2011 à 19h30
avec les poètes américains
Rachel Blau Duplessis,
Adeena Karasick et
Bill Bisset (soirée anglophone)

le 22 juin 2011 à 19h30
(un mercredi, exceptionnellement)

avec le poète français Nicolas Carras (FR)
et le poète américain Truong Tran (USA)

Toujours AU NEXT:

17 rue Tiquetonne

75002 Paris,

M° Etienne Marcel ou RER Les Halles

BIOS-pour le 7 juin 2011 :

BILL BISSETT: is the author of over 70 volumes of poetry, and is one of the most internationally acclaimed poets alive today. Best known for his use of unique orthography and for incorporating visual elements in his printed poetry, and his performances of “concrete sound” poetry, sound effects and chanting, critics have called him a visionary a linguistic mystic, shaman, prophet and a “one man civilization”, whose voice and words are featured on the Chemical Brothers award winning cd, We Are The Night. bissett is also a world renowned artist with recent shows in Whitbey Island, at the Rob Shouten Gallery in Washington State, The Cowichan Arts Center, Duncan BC as well as previous one person shows at The Vancouver Art Gallery Modern Fuel Kingston, Art Gallery Pteros Art Gallery Toronto, and The Upstairs Gallery in Toronto. His recent Cd’s are: “ths is erth thees ar peopul”, “luddites 86-91” and “deth interrupts th dansing” with Pete Dako. In 2007, bissett was awarded a lifetime achievement award from BC Bookworld; a lifetime of “work charged with the energy and formal ingenuity of enduring art". (Len Early) "bill bissett is a one-man civilization... he is a lesson to us all." -- James Reaney "bill bissett is my astral twin" -- Margaret Atwood "The greatest living poet today" -- Jack Kerouac on bill bissett, Paris Review

RACHEL BLAU DUPLESSIS: is the author of the long poem Drafts, begun in 1986, and collected most recently in two books published by Salt Publishing-- Pitch: Drafts 77-95 (2010) and The Collage Poems of Drafts (2011) Other volumes include Torques: Drafts 58-76 (Salt Publishing, 2007) as well as Drafts 1-38, Toll (Wesleyan U.P., 2001) and Drafts 39-57, Pledge, with Draft unnnumbered: Précis (Salt Publishing, 2004). Her forthcoming critical book (2012) is Purple Passages: Pound, Eliot, Zukofsky, Olson, Creeley and the Ends of Patriarchal Poetry from University of Iowa Press. In 2006, two books of her innovative essays were published: Blue Studios: Poetry and Its Cultural Work (2006), and the ground-breaking The Pink Guitar: Writing as Feminist Practice ([1990] 2006) both from University of Alabama Press. She has written several other critical books and co-edited three anthologies as well as editing The Selected Letters of George Oppen (1990). Her work in poetry and criticism has been translated into French, Italian, Spanish, Portuguese and Serbian, with book-length collections expected in French and Italian. A feature in Jacket2 on her work, edited by Patrick Pritchett, is going up in summer 2011, and will include considerations by Eric Keenaghan and Chris Tysh. Her websites are as well as

ADEENA KARASICK: is an internationally acclaimed and award winning poet, media-artist and author of seven books of poetry and poetic theory, as well as 4 videopoems regularly showcased at International Film Festivals, including the audacious “I Got A Crush on Osama”, aired on Fox News. All her work is marked with an urban, Jewish, feminist aesthetic that continually challenges linguistic habits and normative modes of meaning production. For over 20 years her linguistically provocative, philosophically complex wordplay continues to excite audiences worldwide. She has recently been granted the “Exuberance is Beauty” Award for Amuse Bouche and the MPS Mobile Award for being the world’s first “Mobile Poet”, where her work is now on mobile devices (cell phones and smart phones and karaoke apparati throughout the world. Engaged with the art of combination and turbulence of thought, it is a testament to the creative and regenerative power of language and its infinite possibilities for pushing meaning to the limits of its semantic boundaries. Her writing has been described as "electricity in language" (Nicole Brossard), "plural, cascading, exuberant in its cross-fertilization of punning and knowing, theatre and theory" (Charles Bernstein) "a tour de force of linguistic doublespeak" (Globe and Mail) and "opens up the possibilities of reading" (Vancouver Courier). She lives, writes and teaches in New York City.

BIOS-pour le 22 juin 2011 :

* exception: un mercredi!

NICOLAS CARRAS : Compositeur, arrangeur, pianiste, artiste sonore et poète. Co-fondateur du groupe Vient du classique et du Jazz. A l’age de 19 ans il écrit ses premiers poèmes, travail d’écriture qu’il mènera en parallèle de sa recherche musicale, plusieurs recueils à ce jour non publiés, ainsi qu’au travail autour de la poésie. Ancien élève de l’American School of Modern Music, de Peter Giron et de Jeff Gardner. En mai 2001, Il fonde avec Tristan Mory, plasticien vidéaste, Eric Cassar, poète et architecte, Fanny Gosse, photographe plasticienne et graphiste ; le collectif (web galerie, organisation de soirées artistiques sur Paris). Il travaille actuellement également avec John M. Bennett poète américain et fondateur de Luna Bisonte production (poésie contemporaine) et Allan Revich (Canada) avec qui il fonde "The W.I.S Project". (word, image, sound). Il participe régulièrement aux concerts organisés par Le placard “headphone festifal”, soit en direct live soit en streaming de chez lui, ainsi qu’a des festivals de poésie contemporaine. L'écrit "dans l'herbe fraîche" sera publié dans la revue N° 7 d'Ici Là en juin, voici le lien de la revue n 6 Pour plus : Pour écouter plus d’enregistrements par N Carras : Quelques vidéos avec Carras :

TRUONG TRAN : Author & Visual artist, Truong has written and published five books of poetry, The Book of Perceptions, placing the accents, dust and conscience (winner of the 2002 SF State Poetry Center Prize), within the margin and four letter words. Truong’s work is innovative on the page and is engaged with troubling issues of language and culture. His poems exemplify the issues that are being explored in contemporary American poetry. You can read brief excerpts from Truong’s first three books on the Apogee Press website at . Unfortunately, the website does not yet contain excerpts from Truong’s most recent book, four letter words. Tran is also a visual artist, and is currently in Europe touring and being involved in conferences for that side of his work Here are links to a couple of his most recent art projects: and This will be his first reading in Paris!